![]() ![]() Both offer self-made extremity in the form of religious zeal, viewed through a historical lens. This premise unites Donoghue’s two current projects, the film adaptation of her 2016 novel The Wonder (screening at TIFF next week) and her just-released novel, Haven. ![]() “But sometimes you create your own extreme situation.” “Like in Room, she’s been kidnapped and locked up,” says Donoghue, referring to her 2010 Booker Prize-shortlisted novel, which she also wrote the Academy Award-nominated screenplay for, and adapted for the stage. The hyper-pressurized scenarios are reserved for her fictional characters some self-imposed, others enacted upon more vulnerable characters. But her characters? The more intensely acute the stakes, the more interested she is. Not for herself – ”I’m very well-balanced” – she admits. Log In Create Free AccountĮmma Donoghue prefers extreme situations. ![]()
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